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Having already expressed their willingness to die young, The Band Perry took it a step further this year with the delightfully unsettling "Better Dig Two," in which Kimberly Perry promises/threatens to follow her lover to the grave if need be. If Wolfgang Gartner ever decided to focus his attention from making visceral, exciting, unpredictable house singles like "Flexx" to making watered-down EDM-pop with celebrity vocalists, he could probably be as big as David Guetta. Somewhat of a sister-song to Katy Perry's "Last Friday Night (T.G.I.F.)," only the British newcomer spends more time focusing on living guilt-free in the present than regretting her hazy past, while remembering to acknowledge the Notorious BIG. RiRi's subdued Unapologetic lead single is a slow-burner that takes flight with powerful, and repetitive, aural punctuation created by her Bajan accent. It would be borderline-shocking if we ever heard from Ca$h Out again, but he cemented his place in hip-hop lore with the super-hooky, super-fun "Cashin' Out." Sing along with us now: "Riding with a ho named Keisha smokin' on Keisha ( Smokin' on Keisha!). There may have been no cooler sound in music this year than the shifting muezzen-style synths in "Bad Girls," a call to M.I.A.'s own unique kind of prayer -N.J.Īmong the earnest banjo-driven folk that filled the Sons' second LP, lead single "I Will Wait" stood out by tweaking the formula-it's the only Mumford song to start at the climax. that inspired Eric Church's country chart-topper, but that doesn't diminish the emotional impact of "Springsteen," a ballad that captures the feeling of being transported by a song to a time and place like few others. No, it wasn't actually Born in the U.S.A.
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A.U.īritain's Olly Murs will likely have no better chance to break into America than on the back of this reggae-tinged dance track, with a hook that just-just-just won't quit. Life is Good was Nas' best-received album in ages largely because it was his most personal-perhaps nowhere moreso than on "Daughters," an honest, moving account of Nas' realization that he "ain't always been the strictest parent," and how his little girl's rapid maturation is creating questions for him he never thought he'd have to answer. E.E.Ģ007's neo-soul invasion finally reached South Korea with this smash hit from Survival K-Pop Star winner Lee Hi, who sings with a Winehousian groove with that belies her 16 years. Kanye's health conscious diet plan makes you forget about his flawed knowledge of 1999's In Too Deep.
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Music's take on the Chicago up-and-comer's breakout hit, you can practically feel crazy pupils of Pusha T burn deep into your skin as he barrels through his opening verse (woo!).
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KANYE WEST, PUSHA T, BIG SEAN, JADAKISS, "DON'T LIKE.1" Mraz's third big hit, spaced over the course of a decade, was maybe his best, the first time when his goofy personality failed to overwhelm the strong pop songwriting underneath, resulting in a sweet love song that should be soundtracking married couples' first dances for decades to come. A.U.Ģ012 saw many claimants to Justin Timberlake's vacant throne, but none could match the swagger of the young JT like this Apollo 13- quoting Brit.
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Miranda's ballad of loss and heartbreak, co-written by husband Blake Shelton about a real-life tragedy, would have endured for its heart-rending rawness ("You went away / How dare you? / I miss you!") anyway, but Lambert maybe owes Cassadee Pope a thank-you card for turning it into one of the biggest reality TV hits of the year as well.
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Kellz is back with an instructional anthem for the people that should only be remembered for one word: "Populate." -E.E. The shimmering, shimmying nocturnal pop gem off Canadian pixie Grimes' acclaimed Visions album, made all the more memorable by an exceedingly cute and unpretentious music video. Don't be surprised if this abrasive-but-impossibly-catchy jam ultimately ends up being sampled by as many pop and hip-hop songs as Major Lazer's "Pon de Replay"-its prickly, lurching groove gets under your skin like no other song since.